An alternative history: a canny idea for a folk musician. When reinterpretation is your stock… Read the postJim Moray on ‘alternative history’ Beflean, Abbey Road and sounds with surface texture
Jim Moray’s last album, Skulk, was undoubtedly a fine achievement. It showed a refinement of… Read the postJim Moray: Upcetera – Folk Witness Album of the Year 2016
Hello! Just a little check-in, as there have been no updates for a while! In… Read the postLow Culture Podcast & Sidmouth Folk Week 2016
We recently spoke to Maz O’Connor about her new album, The Longing Kind – and,… Read the postMaz O’Connor interview part two: new album The Longing Kind, ‘the big bad world’ and Jim Moray
It’s a bit late – and a bit different – this year. Folk Witness wasn’t… Read the postOlivia Chaney: The Longest River & False Lights: Salvor – Folk Witness albums of the year 2015
Jackie Oates is an established member of the folk firmament by now – remarkably, The… Read the postJackie Oates: The Spyglass & The Herringbone
The West End Centre doesn’t feel like it usually does when you go to a… Read the postFalse Lights: West End Centre, Aldershot, February 6 2015
It must have been quite a week. The Elizabethan Session follows similar song projects –… Read the postThe Elizabethan Session: Cecil Sharp House, London, March 22 2014
Marking the end of her BBC Performing Arts/EFDSS fellowship, Maz O’Connor has the perfect venue… Read the postMaz O’Connor & friends: Cecil Sharp House, London, January 30 2014
“Are you in the party mood? I think I am.” Jim Moray is a touch… Read the postJim Moray & the Doret Ensemble: Union Chapel, London, November 9 2013