Jim Moray’s last album, Skulk, was undoubtedly a fine achievement. It showed a refinement of…Read the postJim Moray: Upcetera – Folk Witness Album of the Year 2016
These ‘song project’ albums are very definitely a thing now. Throwing together a group of…Read the postSweet Liberties
When you’ve been married for ten years, tradition dictates the anniversary gift should be made…Read the postThe Shee’s Amy Thatcher on new album Continuum, ten years of the band and the ‘musical journey’
Following the success of 2014’s This Willowed Light, Maz O’Connor is back with a new…Read the postMaz O’Connor interview part one: new album The Longing Kind, the writing process and folk heroines
He’s always had it in him. Jim Causley’s first solo album, 2005’s Fruits of the…Read the postJim Causley: Forgotten Kingdom
It’s a bit late – and a bit different – this year. Folk Witness wasn’t…Read the postOlivia Chaney: The Longest River & False Lights: Salvor – Folk Witness albums of the year 2015
Blackbeard’s Tea Party, the riotous York sextet, have been steadily gaining a reputation as one…Read the postStuart Giddens of Blackbeard’s Tea Party talks prostheses, cheesecake and new album Reprobates
It’s six tracks long – more than an EP, not quite a full album –…Read the postPhil Tyler on mini-album The Song Crowned King, minimalism and self-borrowing
Jackie Oates is an established member of the folk firmament by now – remarkably, The…Read the postJackie Oates: The Spyglass & The Herringbone
He seemed to spring from nowhere, but Sam Lee’s debut album Ground of Its Own…Read the postSam Lee on Friends, folk and The Fade in Time: ‘Enjoy it, but don’t inhale!’